Monday, April 9, 2018

The Annunciation

The solemnity of the Annunciation is kept today. Here is a reflection from Divine Intimacy by Father Gabriel of Saint Mary Magdalen, OCD:
The Angel's explanation does not prevent future events and circumstances from remaining hidden and obscure to Mary. She finds herself face to face with a mystery, a mystery which she knows intuitively to be rich in suffering; for she has learned from the Sacred Scriptures that the Redeemer will be a man of sorrows, sacrificed for the salvation of mankind. Therefore, the ineffable joy of the divine maternity is presented to her wrapped in a mystery of sorrow: to be willing to be the Mother of the Son of God means consenting to be the Mother of one condemned to death. Yet Mary accepts everything in her fiat: in the joy as well as in the sorrow of the mystery, she has but one simple answer: "Behold the handmaid of the Lord."

2 comments:

TL Spencer said...

Not a big fan of this hipster-like picture of he Blessed Mother in the Annunciation...our lady looks a little disheveled and undignified..sorry -

elena maria vidal said...

Hipster-like? Sorry, I do not see anything remotely hipster about the painting but to each his own. "Ecce Ancilla Domini" by pre-Raphaelite artist Dante Gabriel Rosetti can be found at the Tate Gallery. http://www.tate.org.uk/art/artworks/rossetti-ecce-ancilla-domini-the-annunciation-n01210 From the Tate website: "Inspired by the work of early Renaissance artists such as Botticelli (1445-1510) and Fra Angelico (1387-1455), Rossetti sought in this work a radical reinterpretation of the Annunciation. Traditionally the Virgin was depicted in studious contemplation, reading a missal at a prie-dieu; but here Rossetti shows her rising awkwardly from a low bed, as if disturbed from sleep, while the Angel Gabriel presents her with a white lily. Both figures are dressed in white, a symbol of the virgin's purity, and the angel's role as the messenger of god is emphasised by the small white dove hovering beside him, signifying the presence of the holy spirit. Rossetti used several sitters for his figures, including his brother, William Michael, for the Angel and his sister, Christina, for the Virgin."

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