"With true psychological insight, Marie-Angélique in her Autobiography (unedited passage) noted the dangers of the musical art: the amount of work which this art imposes is not reconcilable with a life of pleasure, nor even with too easy a life. But Yvonne [Sr Marie-Angélique's baptismal name], so vibrant, did not ignore 'the extraordinary development which it gives to human passions.' - 'If the artist does not vibrate for God, joy, sorrow, hate, love increase -in nature- all the more as the art makes it vibrate further.'
And of the danger of vanity: 'to be tempted to vainglory, one has to be truly an artist.'
'Personally,' she adds, 'although I went through only the early stages of art, I can say that, by divine grace, my soul never vibrated except for its Creator. I don't believe that there has ever been a false note in my chant, yes, I have always had Jesus Christ in view but I have not escaped totally from the temptation of vainglory, and in spite of my vigilance, if my Savior had not withdrawn me from there, it is certainly by this way what I would have been lost. Thanks to the zeal of the divine Master for preserving me from all evil, indifferent to things from without, I passed that year entirely with Him.' One of Sr Marie-Angélique's novitiate companions later noted with what insistence she said to her one day: 'One must have tasted human glory in order to realize how intoxicating it is, what fascination it can exercise on the soul.'
This preservation extended to her entire life int he world, and one person who knew her well, could say: 'Yvonne passed by without seeing anything, her eyes fixed on her ideal. Nothing evil touched her, even lightly. She was really the rose that blossomed among thorns.'"
-- Flame of Joy: Souvenirs, Autobiography, Letters of Marie-Angélique of Jesus, ocd
A. A. Milne's "King John"
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